5 Frames… from an previous, acquainted Pentax K1000 on the Kodak T-Max 400 (35mm Format / EI 400 + SMC Pentax-M 28mm f/2.8)


I introduced my Pentax K1000 (a joint birthday And Christmas Present in 1988) was again in service in 2021, after a decade-long hiatus, and after 15 or so years of not taking pictures the movie. I used to be shocked to seek out myself taking pictures on movie as blissful as I used to be once I was a lot youthful (although a digital camera with a diopter adjustment is useful as of late!) Seeing issues in black and white began coming again to me, and Little doubt the acquainted previous K1000 in my fingers was sharpening my reminiscence.

I fondly keep in mind the Kodak T-Max from my first days taking pictures 35mm on a correct SLR, growing and printing in my highschool darkroom, and I used to be excited to see this inventory once more. I used to be additionally fairly trying ahead to taking pictures on some Tri-X400, which I loaded into my Canon EOS Allen to shoot with it. I grew up in Rochester, NY, the place Kodak (particularly again then) was the one sport on the town. My reminiscence is that the T-Max was pretty generic, however the Tri-X was extra for execs and uncommon, and extra “particular”.

Think about my shock, when dusting off my previous late ’80s/early ’90s negatives, I discovered that nearly All The photographs I made again then have been truly on the Tri-X (it was bulk-loaded and labeled safety movie, which I am certain my trainer stated was the T-Max!) appeared like That I might solely put a roll of T-Max via my OG Pentax, with its authentic package lens. Now I used to be much more involved for the outcomes, particularly via the lately acquired 28mm Pentax M-series prime.

Very blissful to say that the previous Pentax itself is seemingly very wholesome. I do not know what I used to be anticipating from this movie inventory: Possibly my reminiscence generally gave my unconscious the concept that it was going to be one thing pedestrian. Now, with the T-Max 400 Scan in my hand, I am unable to think about how I may very well be extra happy with the outcomes.

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I discovered the distinction in these photographs, straight from the digital camera, to be putting. Plus, the smoothness throughout the midtone vary is simply silky and alluring. Underneath sunny skies and grays outdoors, tungsten lights and fluorescents indoors, I am very happy with the tonality and dealing with, and impressed by the flexibility of this inventory. I am unable to wait to strive some 120 in my 645.

My first roll was solely 24 exposures, however as I used to be taking pictures with two different our bodies, I moved slowly via it, and acquired it just a few miles earlier than processing – the Adirondack Mountains of upstate New York. From, to NYC, and eventually to Asheville, NC

What extra can I ask for from my re-entry within the movie?! It is like returning to an previous buddy, and discovering out you do not know them in any respect! An awesome lesson for me for this inventory and all shares; A reminder to maintain a newbie’s thoughts.

~ pj

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Avatar - PJ Plotter

I’m a pastry chef dwelling and dealing in New York Metropolis. I lately discovered my approach again into images after just a few years away from images. I am notably curious as I discover myself increasingly snug with movie, and extra trying ahead to taking pictures movie than digital. very…

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