The price of photographic movie in Canada has been climbing steadily over the previous few years. Not even a correct climb. Up to now 12 months alone a few of my emulsions have gone as much as 30-40% at native retailers. Now it is cheaper to purchase shade movie from the US and ship it right here, which sucks, as a result of I prefer to assist native companies – however not when the pricing works out for each 3 rolls, so that you get one by bringing it from the south. Get a free roll. forty ninth parallel.
I get pleasure from capturing shade movie (not shade movie, I am Canadian) in most of my cameras, however the associated fee turns into prohibitive if you’re operating no less than $15CAD for 36 frames plus growth. I do not do that fairly often now, however typically it is simpler to drop a roll of 35mm C-41s to the native lab than await a roll shot lengthy sufficient to run house (boat) growing package. Native Photograph Lab growth might add this up rapidly!
So, I went in quest of some low cost, however persistent emulsion to shoot. Enter Kodak Gold 200. I truly forgot that these items existed. Bought in shops and grocery shops, it often is available in a 3 pack with 24exp rolls for about $12. Not an outstanding value, however completely acceptable. It is truly a enjoyable movie for me as effectively. In the event you grew up within the 80s-90s there is a good likelihood your mother and father in all probability purchased it and took your entire childhood pictures! I really like the nice and cozy tones and saturation.
Most individuals draw back from 24exp rolls, however I agree it is a good suggestion to not all the time burn 36exp of the identical emulsion. I’ve develop into accustomed to capturing 120 in a number of movie backs, or sheet movie with completely different movie holders and I’ll all the time have completely different movies loaded. So, after I began capturing extra 35mm, I discovered the 36exp was quite a bit to work with at first.
You could have an interest…
Gold 200 all the time looks like summer time to me. I am unsure if it is the tone/shade, or if it is the truth that so many summer time breaks had been captured on these items. Nicely, this and the Fuji Superia. ISO 200 is such a wierd pace even to shoot usually. It is not very fantastic grained and slick, but additionally not as versatile because the 400. I often pop an ND filter on my Voigtlander Noktons and shoot good and crisp with the flexibility to shoot somewhat shallower than I can do with out it.
It is 25+ years later and I nonetheless surprise how a lot I really like the movie. I’ve truly put this movie in rotation for normal shoots. I feel it is one of many solely non-cinema shade emulsions that I nonetheless shoot constantly.
Which is your favourite low cost shade movie?
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