Film Assessment: Kodak Gold 200 vs Fujicolor C200 Comparability


I used to be a Kodak Gold 200 person all through the ages, I am actually unsure why. I assume it should have been taking these purple and yellow 3-packs out of my mother’s digital camera bag from a younger age.

Nostalgia will be highly effective, however I digress…

This quick check is actually all about discovering out which available consumer-grade 200 ISO C-41 movie is the perfect match. My wanted. Your wants could also be completely different from mine, so this check will not be for everybody and shouldn’t be thought-about “mounted”. I am sharing my outcomes as a result of I consider they’ve some worth to different folks in the neighborhood and it is enjoyable.

So, I used Kodak Gold 200 from the start and I by no means tried Fujicolor C200. As is usually the case, at some point I used to be sitting there questioning what it might be like to make use of the C200, so I did what anybody would do… I went to Amazon, purchased a number of rolls, and proceeded to strive it out.

The one technique to actually inform is to take photos on the similar time with the identical digital camera with the identical lens and similar settings, so I loaded two Pentax MX cameras with a pair of SMC 50mm f/1.7 lenses. If I am capturing SLR, I am capturing Pentax and the Pentax-M SMC 50mm f/1.7 is one in all my go-to lenses. I’ve 2 of them to do small exams like this. It is mild, distinction, sharp and has a impartial shade rendition so it is excellent for evaluating movie shares.

I went for a bit stroll across the block, placed on my headphones and burned by way of each rolls in about 35 minutes. The cameras had been freshly CLA’d and after a number of check photographs the meters had been precisely the identical.

Pentax MX vs Pentax MX
Pentax MX vs Pentax MX

I virtually by no means expose movie at field pace, so to be honest when evaluating these films, I metered a digital camera to find out the publicity, eg 125 @ f8, then I simply adjusted the shutter pace. By manually bracketing the 2 stops in both course. You by no means know, gold overexposed one cease fuji 200 shot could possibly be quite a bit higher than field pace or vice versa.

So photographs right here, 16 pairs, 32 complete. None of them are epic, however you possibly can positively see the distinction in film shares. See should you can guess which one is the Fuji C200 and which is the Kodak Gold 200.

You might have an interest…

Scene 01: Flowers Overexposed 2-Cease (EI 50)

Scene 01: Flowers Overexposed 1-Cease (EI 100)

Scene 01: EI 200 . measurement of flowers

Scene 01: Flowers Undo 1-Cease (EI 400)

Scene 01: Flowers With out Uncovered 2-Cease (EI 800)

Scene 02: 2-Cease on the Seaside (EI 50) Overexposed

Scene 02: Seaside Overexposed 1-Cease (EI 100)

Scene 02: EI 200. on the seaside metering

Scene 02: Seaside Undo 1-Cease (EI 400)

Scene 02: Seaside With out Uncovered 2-Cease (EI 800)

Scene 03: EI 200. on bench metering

Scene 04: EI 200. However automobile #1 metered

Scene 04: Automotive #2 Ei 200 . per meter

Scene 05: EI 200. However daughter’s measurement

Scene 06: EI 200. at house metering

Scene 07: EI 200 . on window metering

Bracketing did make a distinction, however not as a lot as you’d suppose, field movement seems greatest IMHO and should you’re nonetheless curious, Fuji frames are on the left and Kodak frames on the proper.

I noticed some distinction. Three major ones: First, I consider the Fujicolor C200 has a little bit of a high-quality grain. Second, I additionally consider it has a extra greenish blue tint. Third, I consider it has a bit extra distinction total.

Which inventory is a more sensible choice? Does somebody shine for you below sure situations and for sure topics? Which of those two movies do you normally shoot? Lastly, do you see something right here that makes you need to change? I’d love to listen to your ideas.

Thanks for studying my quick comparability and please let me know what you suppose within the feedback part under.

~ charity

Postscript

After this check, I went all the best way to the Fuji C200. For my fashion of images and typical San Diego lighting situations, I like this significantly better. Each time I check or assessment a half-frame digital camera for HalfframeClub.com, I load up the Fuji C200, set the movie pace to 100, and shoot. I’ve seen that it has a a lot finer grain than the Kodak Gold 200, which is a bonus if you’re capturing half-frame negatives.

I’ve blown up some prints to 18×24 and so they look nice. I like the movie a lot that I’ve even included it within the promos for digital camera leases and zine releases. I’ll at all times have a smooth spot for the Gold 200 however nowadays, the Fuji C200 is my movie of selection for the 200 ASA C41 movie. Take a look at extra examples on Half Body Membership IG or the hyperlink in my writer profile under!

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